Home DESTACADOS Days Of Wine And Roses Will Open On Broadway

Days Of Wine And Roses Will Open On Broadway

by Soraya Alcalá
Days of Wine and Roses opens on Broadway on Sunday, January 28, 2024

New York, NY

Producers Kevin McCollum, Mark Cortale, Lorenzo Thione, and Joey Monda are pleased to announce the Broadway premiere of Days of Wine and Roses. Adapted from the 1962 film and original 1958 teleplay, the new musical features a book by Tony Award nominee Craig Lucas, music & lyrics by Tony Award winner Adam Guettel, and direction by Tony Award nominee Michael Greif.

Following the critically acclaimed, sold out run at Atlantic Theater Company, Days of Wine and Roses opens on Broadway on Sunday, January 28, 2024 at Studio 54 (254 W 54th St, NYC). This limited 16-week engagement begins previews on January 6, 2024.

Tickets will go on sale to the general public at 10:00am ET tomorrow, Thursday, September 14 at DaysOfWineAndRosesBroadway.com.

Kelli O’Hara and Brian d’Arcy James star in a searing new musical about a couple falling in love in 1950s New York and struggling against themselves to build their family. The New York Times calls Days of Wine and Roses “a jazzy, aching new musical with wells of compassion!” (Critic’s Pick) and The Washington Post raves, “Kelli O’Hara and Brian d’Arcy James soar! One of the best new musicals this year.”

Adapted from JP Miller’s 1962 film and original 1958 teleplay, composer & lyricist Adam Guettel (Floyd Collins) and playwright Craig Lucas (An American in Paris) reunite in their first collaboration since their acclaimed The Light in the Piazza. Directed by Michael Greif (Dear Evan Hansen).

Additional casting will be announced soon.

Days of Wine and Roses features choreography by Sergio Trujillo & Karla Puno Garcia, scenic design by Lizzie Clachan, costume design by Dede Ayite, lighting design by Ben Stanton, sound design by Kai Harada, music direction by Kimberly Grigsby, orchestrations by Adam Guettel, additional orchestrations by Jamie Lawrence, hair and wigs by David Brian Brown, and casting by The Telsey Office; Craig Burns, CSA.

Though it is being performed at Studio 54, Days of Wine and Roses is not a Roundabout Theatre Company production.


KELLI O’HARA (Kirsten), star of stage and screen, has established herself as one of Broadway’s greatest leading ladies.  Her portrayal of Anna Leonowens in The King and I garnered her the 2015 Tony Award for Best Leading Actress in a Musical, along with Grammy, Drama League, Outer Critics, and Olivier Nominations.  She reprised the role while making her West End debut and performed a limited engagement at Tokyo’s Orb Theatre. Kelli received an Emmy Award nomination for her portrayal of Katie Bonner in Topic’s hit web series, “The Accidental Wolf,” and can currently be seen as Aurora Fane on HBO’s critically acclaimed series, “The Gilded Age.” Other film and television credits include: “13 Reasons Why,” All the Bright Places, “Peter Pan Live!,” Sex & The City 2, Martin Scorsese’s The Key to Reserva, Showtime’s “Master of Sex,” “The Good Fight,” “Blue Bloods,” “N3mbers,” and the animated series “Car Talk.” Other Broadway credits include Kiss Me Kate (Tony, Drama League, OCC nominations), The Bridges of Madison County (Tony, Drama Desk, Drama League, OCC nominations), Nice Work if You Can Get It (Tony, Drama Desk, Drama League, OCC nominations), South Pacific (Tony, Drama Desk, OCC nominations), The Pajama Game (Tony, Drama Desk, OCC nominations), The Light in the Piazza (Tony, Drama Desk nominations), Sweet Smell of Success, Follies, Dracula and Jekyll & Hyde. The Times has hailed her as “Broadway musical’s undisputed queen”. She was awarded the prestigious Drama League’s Distinguished Achievement in Musical Theatre Award in 2019. In 2015, she made her Metropolitan Opera debut in Lehar’s The Merry Widow opposite Renee Fleming and in 2018 returned as Despina in Mozart’s Cosi Fan Tutte. She was last seen at The Metropolitan Opera in the world premiere of Kevin Puts’ The Hours as Laura Brown. Her concerts have gained international acclaim, spanning from Carnegie Hall to Tokyo.  She is a frequent performer on PBS’s live telecasts, The Kennedy Center Honors, and performs often alongside The New York Philharmonic and The New York Pops. Along with her two Grammy nominations, her solo albums, Always and Wonder in the World, are available on Ghostlight Records. Season 3 of “The Accidental Wolf” is now streaming on Topic. Upcoming, season 2 of “The Gilded Age” on HBO.

BRIAN D’ARCY JAMES (Joe) is a four-time Tony nominated actor (Into the Woods, Something Rotten!, Shrek the Musical, and Sweet Smell of Success) Other Broadway and Off-Broadway credits include: originating the role of King George III in Lin-Manuel Miranda’s Hamilton Off-Broadway and reprising the role on Broadway in the summer of 2017; The Ferryman directed by Sam Mendes; Time Stands Still with Laura Linney, Christina Ricci and Eric Bogosian; the Lincoln Center production of Macbeth opposite Ethan Hawke and directed by Jack O’Brien; the Pulitzer Prize–winning musical Next to Normal; Conor McPherson’s The Good Thief (OBIE Award winner); The Wild Party; Port Authority (Lucille Lortel Winner); The Lieutenant of Inishmore; The Apple Tree; Dirty Rotten Scoundrels; Titanic; Carousel; Blood Brothers and others. Select Film and Television Credits include: Pain Hustlers, She Came To Me, The Cathedral (Independent Spirit Award Nominee), Spotlight (2016 Oscar Winner for Best Film), “Love and Death,” “13 Reasons Why,” “Hawkeye,” “Devs,” “Smash,” and “Dear Edward.”

CRAIG LUCAS (Book) wrote the plays Blue Window, Change Agent, The Dying Gaul, God’s Heart, I Was Most Alive with You, The Lying Lesson, Missing Persons, Reckless, Prayer for My Enemy, Ode to Joy, Prelude to a Kiss, The Singing Forest, Small Tragedy, Stranger; books for the musicals Amélie, An American in Paris, Days of Wine and Roses, The Light in the Piazza, Marry Me A Little, Three Postcards; screenplays for Blue Window, Longtime Companion, Prelude to a Kiss, Reckless, The Dying Gaul, Secret Lives of Dentists; the opera libretti for Orpheus in Love, Two Boys; and the ballet libretto for Christopher Wheeldon’s Cinderella. He directed world premieres of The Light in the Piazza, I Was Most Alive With You, Ode to Joy, Change Agent & This Thing of Darkness (co-author David Schulner) and Harry Kondoleon’s plays Saved or Destroyed & Play Yourself & the movies The Dying Gaul & Birds of America. He received the Excellence in Literature Award from the American Academy of Arts & Letters, Drama Desk, Obie, L.A. Drama Critics, Laura Pels/PEN Mid-career, LAMBDA Literary, Hull-Warriner, Sundance Audience, Flora Roberts, Madge Evans-Sidney Kingsley & the Steinberg/ACTA Best Play & the Hermitage Greenfield Prize among other honors.

ADAM GUETTEL (Music, Lyrics and Orchestrations) is a composer/lyricist and teacher living in New York City. He was nominated for the 2019 Tony Award for Best Original Score for To Kill a Mockingbird. Other theater credits include The Light in the Piazza (2005; Tony Awards for Best Original Score and Best Orchestrations; Drama Desk Awards for Outstanding Music and Outstanding Orchestrations; Grammy Award nomination for Best Musical Theater Album; cast album on Nonesuch Records), Floyd Collins (1996 at Playwrights Horizons; Lucille Lortel Award for Best Musical, Obie Award for Best Music; cast album on Nonesuch Records), and Saturn Returns (1998 at The Public Theater; recorded by Nonesuch Records as Myths and Hymns). Other awards include the Stephen Sondheim Award (1990), the ASCAP New Horizons Award (1997), and the American Composers Orchestra Award (2005). He received an honorary doctorate from Lehman College in 2007 and was made an honorary member of the Royal Academy of Music in 2019.

MICHAEL GREIF (Director). Notable productions on and off Broadway include: The Low Road, Fucking A, Dogeaters, Giant, The Intelligent Homosexual’s Guide, Romeo and Juliet, Machinal at The Public and Delacorte; Our Lady of Kibeho, A Few Stout Individuals, Landscape of the Body, Angels in America at NY’s Signature Theater; Dear Evan Hansen, Next to Normal (also Arena Stage and Broadway), A Parallelogram, Make Believe at Second Stage; Grey Gardens (also Broadway), Far From Heaven, Spatter Pattern at Playwrights Horizons; Street Scene, Therese Raquin, The Cherry Orchard at Williamstown Theater Festival; and Rent at the New York Theater Workshop and Broadway. Most recently, he, along with Schele Williams, co-directed the critically acclaimed musical adaption of The Notebook at Chicago Shakespeare Theater.

SERGIO TRUJILLO (Co-Choreographer) has choreographed over 12 Broadway musicals and in 2011 four of his productions ran simultaneously on Broadway: Next To Normal (2010 Pulitzer Prize), The Addams Family, Memphis (Olivier Award, Outer Critics Circle Award, NAACP Award), and Jersey Boys (Greenroom Award). Most recently directed Arrabal for American Repertory Theater (Elliot Norton Award for Best Direction), Cirque Du Soleil’s Paramour for Stage Entertainment, and co-directed The Harder They Come at The Public Theater. He is the first Latinx recipient of the Tony Award for Best Choreography and was honored with the Tony in 2019 for Ain’t Too Proud. Additionally, he won the 2015 Olivier Award for Best Theatre Choreographer for Memphis. Upcoming projects include: Real Women Have Curves at The ART.

KARLA PUNO GARCIA (Co-Choreographer). A proud Filipina-American from the Washington DC area, Karla’s choreography credits include Lin Manuel Miranda directed film tick, tick … BOOM! on Netflix (add’l scenes); “Power Book III: Raising Kanan” on Starz; Duncan Sheik’s Noir (Alley Theatre); Mathew Lopez’s Somewhere (Geva Theatre); Gone Missing (Encores Off-Center); Other World (Delaware Theatre Company); and In The Heights (VA Repertory – Best Choreography). Upcoming: Rent (Theatre Aspen) and a new immersive show in NYC. As a performer, Karla was the first Filipina cast member in Broadway’s Hamilton and has appeared in several Broadway shows, TV series, and films. NYU Tisch BFA. Love and thanks to Sergio, Lakey, Luke, Mommy, Jitter, Rocky, Daddy above, and my David. IG: @KarlaPunoGarcia

KEVIN McCOLLUM (Producer) received the Tony Award for Best Musical for Rent (1996), Avenue Q (2004) and In the Heights (2008). Current: SIX (Broadway, North American tours); Mrs. Doubtfire (UK); Peter Pan Goes Wrong (U.S. tour); Olivier Award-winning The Play That Goes Wrong (Off-Broadway). Past Credits Include: Mrs. Doubtfire (Broadway); Motown: The Musical (Broadway, West End, U.K. and U.S. tours); The Drowsy Chaperone (Broadway, UK); Something Rotten! (Broadway, U.S. tour); Hand to God (Broadway, West End); Baz Luhrmann’s La Bohème; [title of show] (Broadway); and the 2009 revival of West Side Story (Broadway, tour). McCollum also produced the West Side Story film (2021) directed by Steven Spielberg. Upcoming: The Notebook, The Devil Wears Prada, Night At The Museum.

MARK CORTALE (Producer) produced the Drama Desk and Lucille Lortel nominated Off-Broadway musical Midnight At The Never Get by Mark Sonnenblick. He recently celebrated his twelfth and final season as Producing Artistic Director of The Art House in Provincetown where he presented artists that included Patti LuPone, Audra McDonald, Sutton Foster, Jessie Mueller, Christine Ebersole and Megan Mullally. In 2020, he founded the developmental theatre lab New Works Provincetown. In conjunction with producing partners Jonathan Murray and Harvey Reese, Mark has commissioned five works to date including the following shows currently in development: Maiden Voyage with book and lyrics by Mindi Dickstein and music by Carmel Dean, Beautiful Little Fool with book by Mona Mansour and music and lyrics by Hannah Corneau, Love Is Strange, with book by Craig Lucas, music by Daniel Messé and lyrics by Nathan Tysen & Daniel Messé and Table 17 by Douglas Lyons.

SING OUT, LOUISE! PRODUCTIONS (Producer). Led by Lorenzo Thione, Joey Monda, and Jay Kuo, Sing Out, Louise! Productions is currently represented on Broadway with Hadestown (Tony Award) and & Juliet and is thrilled to join Kevin McCollum again following Mrs. Doubtfire, Six, Mike Birbiglia’s The New One[title of show], West Side Story, and on the upcoming The Notebook. Other Broadway producing credits include AllegianceA Strange Loop (Tony Award), The Inheritance (Tony Award), Slave Play (Tony nomination), and Catch Me If You Can (Tony nomination). London Credits: Mrs. Doubtfire, Allegiance. With Allegiance first, and then again with Bandstand, Sing Out Louise! spearheaded the independent production and theatrical release of cinematic live capture films and broke prior box office records with Allegiance’s release with Fathom Events. Other projects in development include the new original musical Indigo which recently debuted at the Human Race Theatre Company in Dayton, OH.

ATLANTIC THEATER COMPANY (Producer) (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director). At Atlantic, our aim is singular—to empower simple and honest storytelling that fosters greater understanding of our shared world. We are a family of artists dedicated to exploring essential truths onstage, be it a show at Atlantic Theater Company or a class at Atlantic Acting School. As a producer, presenter, and educator of theater, we are driven by the belief that theater can challenge and transform our ways of thinking and urge us to reflect on our role in society. From our Tony Award and Pulitzer Prize-winning productions to our community-based education programs, we are committed to uncovering and celebrating the stories of our varied human existence. Founded as an ensemble of impassioned artists in 1985, Atlantic Theater Company has grown into a powerhouse Off-Broadway company. We challenge, inspire, and awaken audiences with truthful storytelling presented across our two venues, the Linda Gross Theater and the intimate Stage 2 black-box. As a producer of compelling new works, we are committed to championing the stories from new and established artists alike, amplifying the voices of emerging playwrights through our deeply collaborative programs and initiatives. We have produced more than 200 plays and musicals including Tony Award-winning productions of Kimberly Akimbo (David Lindsay-Abaire, Jeanine Tesori), The Band’s Visit (David Yazbek, Itamar Moses), Spring Awakening (Steven Sater, Duncan Sheik), and The Beauty Queen of Leenane (Martin McDonagh); Pulitzer Prize recipients Between Riverside and Crazy (Stephen Adly Guirgis) and English (Sanaz Toossi); New York Drama Critics’ Circle winners for Best New Play The Night Alive (Conor McPherson) and Best Foreign Play Hangmen (Martin McDonagh); Obie Award winners for Best New American Play Guards at the Taj and Describe the Night (Rajiv Joseph); and Obie Award Special Citation recipient Skeleton Crew (Dominique Morisseau).

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